The Treasury of Lives

ས་ཆེན་ཀུན་དགའ་སྙིང་པོ་ནི། འཁོན་གྱི་རྒྱུད་པར་འཁྲུངས་པའི་དཔལ་ས་སྐྱ་པའི་ཤིན་རྟའི་སྲོལ་འབྱེད་གོང་མ་ལྔ་ཞེས་ཡོངས་སུ་གྲགས་པའི་ཁོངས་ཀྱི་དང་པོར་བགྲངས། ཁོང་ནི་ཁྱིམ་པའི་རྣམ་པར་བྱོན། དུས་ཕྱིས་ཁོང་དཔལ་ས་སྐྱ་པའི་ཤིན་རྟའི་སྲོལ་འབྱེད་གོང་མ་ལྔའི་ཁོངས་སུ་བགྲངས་ཀྱང་། ས་སྐྱ་ཁྲི་རབས་ལྟར་ན་ཁྲི་འཛིན་གསུམ་པར་ངོས་འཛིན་བྱེད། ཁོང་གི་ཡབ་འཁོན་དཀོན་མཆོག་རྒྱལ་པོ་ནི་ས་སྐྱ་ཁྲི་འཛིན་དང་པོ་དང་དཔལ་ས་སྐྱ་དགོན་པ་ཕྱག་འདེབས་མཁན་དེ་ཡིན། 




Sachen Kunga Nyingpo (sa chen kun dga' snying po) was the son of Khon Konchok Gyelpo ('khon dkon mchog rgyal po, 1034-1102), the first Sakya throne holder and the founder of Sakya monastery. Sachen's mother was known as Machik Zhangmo (ma gcig zhang mo, d.u.).

Sachen's father oversaw his early education and transmitted the three Hevajra Tantras to him as a young child. In addition to his father, Bari Lotsāwa (ba ri Lo tsa ba rin chen grags pa, 1040-1112), the second Sakya throne holder and a great translator, was an important early teacher for Sachen. Khon Konchok Gyelpo passed away when Sachen was eleven, at which time Bari Lotsāwa took the Sakya throne since Sachen was too young to replace his father. Over the course of his education, Darma Senggye (dar ma seng+ge, d.u.); Darma Nyingpo (dar ma snying po, d.u.); Bari Lotsāwa Rinchen Drakpa; Chak Tarwa (lcags thar ba, d.u.); Drakchor Sherab (grags 'byor shes rab, d.u.); Chokyi Gyeltsen (chos kyi rgyal mtshan, d.u.); and Zhangton Chobar (zhang ston chos 'bar, 1053-1135), aka Gonpawa, would be among his most influential teachers.



At the age of twelve, under Bari Lotsāwa's guidance, Sachen did a six-month retreat on Mañjuśrī and reported a remarkable vision that inspired the now longstanding and widely practiced teaching known as Parting from the Four Attachments (zhen pa bzhi bral). Later that year Sachen traveled to Rong Ngurmik (rong ngur smig) to meet the teacher Darma Nyingpo and receive instructions on the Abhidharmakośa. While at Rong Ngurmik, Sachen contracted smallpox from a sick monk whom he reportedly nursed to health. Sachen recovered and was able to continue his studies under Darma Nyingpo. He returned to Sakya in order to receive teachings from the elderly Bari Lotsāwa. Just before passing away in 1111, Bari Lotsāwa passed the position of throne holder on to the twenty-year old Sachen, who continued to study with various masters after assuming the throne.

Another of Sachen's most important teachers was his paternal relative Khon Gyichu Dralhawar ('khon skyi chub gra lha wa, d.u.). From him Sachen received the Hevajra teachings transmitted by Drokmi Śākya Yeshe ('brog mi ShAkya ye shes, 992/993-1043/1072) and Go Lotsāwa ('gos lo tsa ba, d.u.) as well as Cakrasaṃvara teachings transmitted by Pamtingpa (pham 'thing pa, d.u.). Before this teacher passed away, he appointed Sachen to take over his monastery and numerous disciples. Sachen took over his teacher's monastic seat and prepared to take ordination at that time but the Sakya master Nam Kaupa convinced him to remain a layman so he could have children and carry on his family lineage. Sachen also stayed briefly with his father's disciple Se Karchungba, but was unable to receive many teachings before the old teacher passed away. He later studied with Khon Gyichu Dralhawar's teacher, Mel Lotsāwa Lodro Drakpa (mal lo tsa ba blo gros grags pa, 11th century), who gave Sachen teachings on Cakrasaṃvara, Yamari, Panjaranatha and the yoga tantras. Mal Lotsāwa also gave him a black Mahākāla mask that was said to have the power to communicate with humans and fly. This mask was passed down as a precious heirloom of the Khon lineage.



When Sachen was ready to receive the Lamdre (lam 'bras) teachings, which would become the core of the Sakya tradition, he sought out Zhangton Chobar (zhang ston chos 'bar, 1053-1135), a former student of Se Karchungba (se 'khar chung ba), also known as Seton Kunrik (se ston kun rig, 1029-1116). When Sachen went to ask for the teachings, he found Zhangton Chobar with matted hair, half clothed in a goatskin cloak, idly chatting with villagers and spinning thread from wool. Sachen prostrated to him, tried to make an elaborate offering, and asked him for the Lamdre teachings. Zhangton Chobar claimed to know nothing about new Tantra teachings such as Lamdre, and said he only had some modest knowledge of Dzogchen (rdzogs chen), which he assumed Sachen would disapprove of. However, when Zhangton realized Sachen was the son of Khon Konchok Gyelpo, he admitted that he held the Lamdre teachings after all. Since he had never taught the Lamdre before he said he needed some time to reflect and asked Sachen to return the following spring. Sachen did so and over the course of the next eight years Zhangton Chobar transmitted the Lamdre to Sachen in two parts, each requiring four years of instruction. When the teachings were complete, Shangton advised Sachen not to teach Lamdre for eighteen years, after which time he could teach and write about it freely.



Sachen followed this advice and over the course of the next eighteen years he meditated intensively on the sequential transmission he received from Zhangton Chobar. At the age of forty-six he had a vision in which Virūpa bestowed a direct transmission of the Lamdre. In 1141 he began teaching and writing on both the sequential and direct transmissions of the Lamdre. His first disciple was Jangchub Sempa Aseng (a seng, d.u.) an important lama from Kham, followed by Sachen's own sons Sonam Tsemo (bsod nam rtse mo, 1142-1182) and Drakpa Gyeltsen (grags pa rgyal mtshan, 1147-1216).

Sachen had many prominent students, including Pakmodrupa (phag mo gru pa rdo rje rgyal po, 1110-1170). His eleven closest disciples are remembered for having either continued Sachen's oral Lamdre teachings, for writing commentaries on his writings, or for becoming great teachers. His sons Sonam Tsemo and Drakpa Gyeltsen, who followed Sachen as the next Sakya throne holders and patriarchs, were two of his closest disciples. He had two other sons as well. The eldest son, Kungabar (kun dga' 'bar, d.u.), died in his early twenties while returning from a period of study in India. The youngest son, Pelchen Wopo (dpal chen 'od po, d.u.) never held the throne but went on to father Sakya Paṇḍita Kunga Gyeltsen (sa skya paN+Di ta kun dga' rgyal mtshan, 1182-1251), the important scholar and fourth Sakya patriarch. Sachen had two consorts, sisters from a noble family in Tsamo-rong. The elder sister, Machik Wodron was the mother of Sonam Tsemo, Drakpa Gyeltsen and Pelchen Opo. The younger sister had four sons by Sachen.



Sachen was purportedly the first to write down the previously oral Dorje Tsig Kang (rdo rje tshig rkang) or Vajra Verses, a foundational teaching of the Lamdre tradition that is attributed to Virupa and was transmitted to Tibet by Shakya Yeshe. Many other written texts are also attributed to Sachen. The most important are eleven commentaries on the Dorje Tsig Kang. These teachings were apparently created for specific disciples – eight men and three women. (Some scholars question whether Sachen authored all these works.) The commentary called Nyagma or Explication of the Treatise for Nyag, written for Nyak Wangchuk Gyeltsen (dbang chug rgyal mtshan) is arguably the most lastingly significant of these works and was later annotated by Sachen's son Drakpa Gyeltsen. The Dorje Tsig kang, Sachen's commentary, and Drakpa Gyeltsen's annotations form the theoretical and practical basis for the Lamdre teachings.

Later in life, as the result of an attempted poisoning while he was in Gungtang, Sachen went into a coma. When he awoke he suffered from complete memory loss, forgetting all the teachings he had received. He was able to find lamas to replace all the teachings except the Lamdre, for which there was no living teacher nor written text available to him at the time. He went into retreat and reported that he remembered some of the lost teachings and then in a dream Zhangton Chobar transmitted the remainder. When he woke up he had completely recovered his memory.

Sachen died at the age of sixty-seven, in 1158 at the monastery of Kyabo Kadang in Jang.

Dominique Townsend is an assistant professor of religion at Bard College.

Published June 2011

Images

Barawa Kagyu Refuge Field

Nineteenth century (likely made after 1829) painting from Drumpa Monastery in southern Tibet near the border of Bhutan depicts the Mountain Dharma Trilogy transmission of Yanggonpa. The painting portrays Kagyu masters including lineages of the Barawa subsect of the Drukpa Kagyu. Annotations and analysis courtesy of Dr. Marlene Erschbamer.

Damarupa

Damarupa and Avadhutipa, two Indian Siddhas. On the left is the siddha Damarupa holding upraised in his right hand a damaru drum and a skullcup in the left. On the viewer's right is Avadhutipa holding a skullcup to the heart with the left hand and pointing downwards with the right hand.

Mahakala - Panjarnata

Mahakala surrounded by the stylized flames of pristine awareness and emanating forth from the licks of flame are messengers in the shapes of various animals, black crows, black dogs, wolves, black men and women.

Mahākāla Pañjarnātha

Mahākāla Pañjarnātha, or "Lord of the Tent," is the protector of the Hevajra cycle of tantras. The iconography and rituals are found in the eighteenth chapter of the Vajra Pañjara Tantra, an exclusive 'explanatory tantra' to Hevajra itself. It is dated to the late fourteenth or early fifteenth century.

Ngorchen Kunga Zangpo

Ngorchen Kunga Zangpo, the founder of the Ngor Branch of the Sakya tradition.

Sachen Kunga Nyingpo

A painting of Sachen Kunga Nyingpo.

Sachen Kunga Nyingpo

A portrait of Sachen Kunga Nyingpo in the classic Beri style. Based on stylistic comparison, it is likely from the fourteenth or fifteenth century.

Sachen Kunga Nyingpo

A fifteenth century painting of Sachen Kunga Nyingpo, the Third Sakya Trizin and son of Khon Konchok Gyelpo.

Sangye Sengge

Sanggye Sengge, the eleventh throne holder of Ngor Ewam Monastery is the main figure in this work, created between 1550 and 1560. It is in the Menri style with Beri elements.

Shangton Chobar

Shangton Chobar with Sachen Kunga Nyingpo on the middle left, Sonam Tsemo on the right.

Third Karmapa and Lineage Masters

A unique image made with ink shows Buddhist masters from multiple traditions. The style is considered unusual and has been associated with the Tenth Karmapa.

Vajrakila

This 18th century painting of Vajrakila depicts Sakya masters on either side of Vajrasattva.

དཔྱད་གཞིའི་ཡིག་ཆ་ཁག།

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གང་ཟག་འདིའི་གསུང་རྩོམ་ཁག་བོད་ཀྱི་ནང་བསྟན་དཔེ་ཚོགས་ལྟེ་གནས་སུ་འཚོལ།