The Treasury of Lives



Konchok Lhundrub (dkon mchog lhun grub) was born at Sakya Monastery (sa skya dgon) in 1497. His mother, Yongzin Konchok Pelwe Ponmo Lhamo (yongs 'dzin dkon mchog 'phel ba'i dpon mo lha mo), was the niece of Ngorchen Kunga Zangpo (ngor chen kun dga' bzang po, 1382-1456). His father was called Kunga Dar (kun dga' dar). The child's birth name was Lhago Dar (lha rgod dar). As a child he became highly accomplished in calligraphy and other scholarly skills.

At age thirteen Lhago Dar took novice vows at Ngor Evam Choden (ngor e waM chos ldan) with Konchok Pelwa (dkon mchog 'phel ba, 1445-1514) and was given the name Konchok Lhundrub. At age twenty he received esoteric teachings from Muchen Sanggye Rinchen (mus chen sangs rgyas rin chen, 1450-1524), Je Jetangpa (rje bya btang pa, d.u.), and Lhachok Sengge (lha mchog seng ge, 1468-1535), the ninth abbot of Ngor. While staying in the Mu valley, he received extensive training from these teachers as well as Jamyang Namkha Tenpa ('jam dbyangs nam mkha' brtan pa, d.u.), Muchen Namkha Pelzang (mus chen nam mkha' dpal bzang, d.u.) and others. From the age of twenty-five to thirty-seven he focused his studies on the Ngor tradition and lived at Ngor.



Konchok Lhundrub was enthroned as the tenth abbot of Ngor at the age of thirty-eight. He is recorded to have excelled in teaching, debate, and writing, and demonstrated the classic Buddhist qualities of being learned, virtuous, and noble. He had disciples in many distant regions, including Kham, Amdo, U, and Ngari. Konchok Lhundrub did not stay full time at Ngor but traveled to Nalendra and other monasteries to teach. Many powerful families such as the Khon ('khon) and the Rinpung (rin pungs pa) relied on his instructions.

Konchok Lhundrub held the throne at Ngor for almost twenty-five years, until he passed away in 1557. During that time, he gave the Lamdre (lam 'bras) teachings thirty-three times, in addition to many other beneficial activities such as commissioning works of art.

In addition to the masters already mentioned, Konchok Lhundrub's teachers included the Twenty-third Sakya Trichen, Jamyang Kunga Sonam Drakpa Gyeltsen ('jam dbyangs kun dga' bsod nams grags pa rgyal mtshan, 1485-1533); Lowo Khenchen Sonam Lhundrub (glo bo mkhan chen bsod nams lhun grub, 1456-1532) and Konchok Pelwa (dkon mchog 'phel ba, 1445-1514).

His closest students included Ngwang Kunga Rinchen (kun dga' rin chen, 1517-1584), the Twenty-fourth Sakya Tridzin; Namkha Pelzang (nam mkha' dpal bzang, 1532-1602), the thirteenth abbot of Ngor; Konchok Pelden (dkon mchog dpal ldan, 1526-1590), the twelfth abbot of Ngor; Sherab Gyeltsen (shes rab rgyal mtshan, d.u.); and Sanggye Sengge (sangs rgyas seng ge, 1504-1569), who was Konchok Lhundrub's successor as the eleventh abbot of Ngor.

Dominique Townsend is an assistant professor of religion at Bard College.

Published July 2010

Images

Sangye Sengge

Sanggye Sengge, the eleventh throne holder of Ngor Ewam Monastery is the main figure in this work, created between 1550 and 1560. It is in the Menri style with Beri elements.

Two Lineal Lamas

Two men, Kunkhyen and Jamyang Chokyi Gyalpo. This painting is from a set of compositions that appears based on similar paintings identified as a Sakya Lamdre Lineage set. The secondary lineage that starts at the top left and proceeds down the right and left registers is possibly the Prajnaparamita Lineage beginning with Shakyamuni Buddha.

参考书目

Sangs rgyas phun tshogs. 1985 (17th c.) Dpal e waM chos ldan gyi gdan rabs nor bu'i phreng bzhes bya ba zhugs Dehradun: Sakya Center, pp 20-21.

Jackson, David. 2010. The Nepalese Legacy in Tibetan Painting. Seattle: University of Washington Press.

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